News

 A major exhibition of artwork by African-American artist Henry Ossawa Tanner premiered at the Pennsylvania Academy of the Fine Arts, on January 27 and will run through April 15, 2012. Henry Ossawa Tanner: Modern Spirit will contain over 100 works, including 12 paintings that have never been shown in a Tanner retrospective and the only two known sculptures that Tanner completed. The exhibition also includes Tanner's famed Resurrection of Lazarus, from the collection of the Musée d'Orsay, a career-making canvas that earned Tanner his first international praise when it was exhibited in 1897 and which has never crossed the Atlantic. Tanner, a native of Philadelphia, was America's first internationally renowned African-American artist.220px-Henry_Ossawa_Tanner_-_The_Banjo_Lesson

Showcasing Tanner’s paintings, photographs, prints, sculptures, watercolors, and drawings, Henry Ossawa Tanner: Modern Spirit is being organized by the Pennsylvania Academy of the Fine Arts, where the artist studied from 1879 to 1885, and will tour to the Cincinnati Art Museum and the Museum of Fine Arts, Houston.

“Henry O. Tanner is a transcendent figure both in art and in the history of America," remarks Harry Philbrick, Edna S. Tuttleman Director of the Museum. "His compelling story and rich body of work will make for a superb national traveling exhibition."

Henry Ossawa Tanner: Modern Spirit will delve into the life and career of Henry O. Tanner from his upbringing in Philadelphia in the years after the Civil War; through the artist’s training at the Pennsylvania Academy of the Fine Arts; his success as an American artist at the highest levels of the international art world at the turn of the 20th century; his role as an elected leader of an artist’s colony in rural France; his unique contributions in aid of servicemen during World War I through the Red Cross in France; his modernist invigoration of religious painting deeply rooted in his own faith; and Tanner’s depiction of the Holy Land and North Africa. The exhibition will also present the first scientific and technical analysis of his artistic materials and methods.

“This exhibition will allow visitors to walk alongside Tanner as he explored the world, leaving Philadelphia for the mountains of North Carolina and bustling Reconstruction-era Atlanta, to the bright lights of Paris and the exotic and spiritual landscapes of Palestine and Egypt,” says Anna O. Marley, PAFA’s Curator of Historical American Art. “Henry Ossawa Tanner: Modern Spirit reveals the artist as a talented modern man whose training, intelligence and faith equipped him to surmount the difficult realities of his time and propelled him into a lifetime journey of personal and artistic discovery.”

The most substantial scholarly catalogue to date on Tanner’s life and work will accompany the exhibition. This book includes 14 essays written by established and emerging scholars from the United States and France, and is being published by University of California Press.

Additionally, the first-ever children’s book about Henry O. Tanner will be published by PAFA and Bunker Hill Press. Written and illustrated by the renowned artist-author Faith Ringgold, this publication will inspire generations of young people through the extraordinary accomplishments of Tanner.

"PAFA is proud to have contributed to Tanner's artistic training, that it maintained a mutually productive relationship with the artist throughout his life, and that we are now able to introduce his inspirational accomplishments to a new generation of viewers," says David R. Brigham, PAFA’s President & CEO.

After premiering at PAFA, the show will travel to the Cincinnati Art Museum, from May 26 - September 9, 2012, and the Houston Museum of Fine Arts, from October 14, 2012 - January 6, 2013. Curator of the exhibition, Anna Marley, is currently co-organizing a scholarly symposium on Tanner and African American Art in France, to be held at the Musée d’Orsay, November 9-10, 2011. Exciting education and community events will occur at PAFA throughout the run of the exhibition, including a Community and Scholars Day, March 4-5, 2012, and free admission on Sundays while the exhibition is on view.
Source: ArtDialy.org

 

      PanTrinbago will be hosting an International Conference on the Steelpan from May 6th – 8th 2012. As part of the celebrations of our 50th year as an independent nation, this conference will create a single forum for exposition and engagement with diverse lines of action and inquiry around our national instrument.

     The theme of the conference, Pan Globalization: Progress and Possibilities, provides a unique opportunity for musicians, academics, entrepreneurs, trade and tourism representatives and pan aficionados from across the globe to share experiences, perspectives and ideas on the steelpan. In addition to showcasing best practices in a variety of spheres of pan performance, management and development, the conference programme is designed to generate rich and synergistic discourses that will inform and shape the globalization of the steelpan in the 21st century.

    

·        

roberto_cWhile December 31st, 2012 will mark the 40th anniversary of Roberto Clemente’s tragic death, his legacy continues to grow.  Without fail, each year there is a new book, documentary, web site or other commemoration of this fallen son of Puerto Rico.  Clemente’s role as a hero both in Puerto Rico and the United States may, however, may be the most important facet of his legacy.  Central to his status as a national hero in both countries, are the profoundly touching personal stories about Clemente that transcend time and space.  Many of these accounts are about brief meetings with Clemente, others about seeing him play or speak, still others happen after his death.  All, however, suggest that Clemente is a transcendent and transnational hero who remains one of the most important symbols of Puerto Rican and United States identity.

As part of my work on Clemente’s importance to both countries, I am collecting stories about him from anyone who is willing to share their personal reminiscence.  I want to include a wide range of these narratives in my essay, with the narrator’s permission, as part of my discussion of Clemente as a transnational Puerto Rican hero.

Since most of the stories I have been told about Clemente have been through conversations, I would welcome the opportunity to talk with individuals one on one by phone but I am also more than happy to accept written accounts.  All reminiscences are welcome; there is no limit on length or focus.  I ask only that you tell me why this connection to Clemente is important for you.  I will be gathering stories until the 20th of January and will send a final copy of my essay to all who contribute.  You can send me your story or inquiry by email to:  This e-mail address is being protected from spambots. You need JavaScript enabled to view it .                           

Source: Repeating Islands

 

lorne_st_lu

Lorne Theophilus, has been appointed as St. Lucia’s new minister of tourism, following recent elections and a change of party rule. A prominent attorney, he succeeds Allen Chastanet, who is expected to stay involved with St. Lucia tourism.

"Right now, Chastanet is out, but I know he will be involved in some way somewhere in the future," says Lorine Charles-St. Jules, regional marketing manager for the St. Lucia Tourist Board.

Chastanet also served as chairman of the Caribbean Tourism Organization for a two-year term, a post now held by Ricky Skerritt, minister of tourism for St. Kitts.

A snapshot of Jamaica's music history is captured in a mural which now brightens the section of Water Lane, near its intersection with East Street, in downtown Kingston. The mural is on the building which is provides a temporary house to the recently opened music museum. The museum is being housed in a building owned by the Institute of Jamaica on Water Lane in the heart of the city until a permanent home is found.

Months ago, the curator and director of the Jamaica Music Museum, Herbert 'Herbie' Miller, told The Gleaner the idea of a music museum was to collect, preserve and exhibit information on the country's music history. Miller reported then that the expansive mural was being created by a group of youngsters.

Source: Jamaica Gleaner

 

 

Kilimanjaro International Airport (KIA) is set to get a 57.5bn/- facelift after receiving funds from the Netherlands. The government and the Netherlands on November 23, 2011 signed a grant agreement for the rehabilitation of KIA that will be overseen by the Kilimanjaro Airports Development Company (KADCO).

A statement released by the KADCO CEO, Marco Van de Kreeke, on Thursday said during the renovation project, the runway, taxiways and aprons of the airport will be overhauled and resurfaced. “A new taxiway will be built to increase the capacity of the airport and the terminal building will be upgraded and expanded. The rehabilitation of KIA has been an important goal since the airport’s privatization,” Van de Kreeke said.

He said traffic at KIA has risen from 200,000 passengers in 2002 to an expected 650,000 in 2011, adding that KADCO management is negotiating with a number of international flag carriers to open new routes to KIA.

“With this grant from the Dutch Government, KIA will get the necessary expansion and facelift to accommodate international traffic in the next decade”, he said. He said in the design phase, the Netherlands Airport Consultants (NACO) under KADCO’s supervision will prepare the designs for the renovation and expansion of the airport.

He noted that once the Development Phase is completed and the design is approved, the Dutch Government will provide a second grant to cover 50 per cent of the cost of the actual rehabilitation and the rest is to be financed by KADCO through the airport’s revenue.

Source: Tanzania Daily News

AFRAAs-Secretary-General-Elijah-ChingoshoAfrican Airline Association's (Afraa) Secretary General Elijah Chingosho noted in a recent three-day General Assembly that cost of travel from Africa is still very high compared to other regions of the world. Africa has been asked to review the “complex” structure of its taxes and fees imposed by service providers to enable airlines in the continent exploit the existing growth potential.

Secretary Chingosho said that the impact of high charges should be examined in light of Africa’s huge potential for growth of air transport, which by all indications is becoming one of the fastest growing regions in terms of air traffic.

It is believed that the duties in Africa are relatively higher in comparison to other regions and particularly when seen in light of the level of infrastructure and services available. For instance, it is estimated that it costs 18.5 US cents per Revenue Passenger Kilometres (RPK) to travel in Africa as compared to 15.5 US cents in Asia, 12.3 cents in Europe and 11.0 cents in North America.

RPK is a measure of passenger’s sales volume, which can be obtained by multiplying the number of revenue passengers carried on a flight by the distance traveled by each passenger. Industry leaders who concluded their 43rd Annual General Assembly and conference in Southern Morocco last week heard that the “excessive” charges imposed on the airlines operating in the continent and their passengers, with experts saying this has impeded airlines from realising their full potential.

Afraa's, Secretary General of African Elijah Chingosho noted that cost of travel from Africa is still very high compared to other regions of the world. He said high intra-Africa and intercontinental airfares are mainly attributed to high airport taxes and fees coupled with high fuel, insurance, aircraft financing and leasing charges experienced in the region.

“This is stifling development of air transport and compounding the many difficulties that African airlines have to surmount to be competitive and profitable,” he said.

New partnerships

Opening the three-day General Assembly on behalf of the Minister of Transport of the Kingdom of Morocco, the Director General of the Civil Aviation Authority of the Kingdom of Morocco, Abdennebi Manar, challenged African airlines to open up their markets and brace themselves for competition.

He called upon industry stakeholders in Africa to work together and seek partnerships with each other to broaden their network as well so as to mop up traffic to compete with operators from other regions.

During the meeting the Chief Executive Officer of Air Mali Mr Abderahmane BerthÈ was elected President of Association and host of the 2012 Afraa Annual General Assembly.

Welcoming delegates to the meeting, the President of AFRAA and Chairman of Royal Air Maroc, Driss Benhima, noted that air transport liberalisation is good for the continent but cautioned it can pose serious survival challenges to local airlines ill-prepared to compete in a liberalised market. He said Morocco last year attained its target of 10 million tourist arrivals due largely to the open skies agreement with the EU.

Source: In to East Africa, The Standard

 

Phtoto: Rift Vally Golf Resort Kenya

Kenya is gaining prominence as a golf tourism destination. The journey to popularity began after the country was declared the “Best Undiscovered Golf Destination of the Year 2008″ by the International Association of the Golf Tour Operators. Naivasha’s place in the industry has been cemented over time and a planned new Golf Resort only goes further to enhance this.

“We have already established a tripartite golf marketing structure comprising a partnership between the Ministry of Tourism, Kenya Tourist Board and the Kenya Golf Marketing Alliance,” said the Tourims Minister Najib Balala during the launch of the Aberdare Hills Golf Resort.

The resort by the Panda Development Company is touted as East Africa’s premier, jostling with the Vipingo Ridge at the coast that has also set the bar high as far as the development of the sector is concerned. The 36 holes golf course Aberdare Hills Golf resort were designed by world-renowned golf course designer, David Jones.

Balala said the concept of combining real estate and tourism is fast gaining currency in the world of tourism. “This is not any other Golf Estate; it is a great location that promotes a happy, healthy and long life in tranquillity,” said Dr Pritam Singh Panesar the Managing Director of Panda Development Company.

The real estate and hospitality industries have been on a robust growth trend with several luxury resorts already in progress in various parts of the country and more in their planning stages.

Source: In to East Africa, The Journey

 

For the second time since it was established in 1992, Pompey Museum at the historic Vendue House on Bay Street was impacted by fire, Candia Dames reported in The Nassau Guardian.

But this time, it was destroyed and most of its historic artifacts lost, according to officials on the scene, who said The Bahamas lost ‘a national treasure’. The fire ripped through a portion of the western side of Bay Street. Officials said it appears it started at what remains of the old straw market tent.

While there was speculation on the scene that it was arson, police said they had not confirmed this, but were continuing their probe.

As noted on Pompey Museum’s website, Vendue House, is an original single story arcade building. In 1784, Vendue House, then called the bourse, was listed among Nassau’s public buildings, and is thought to date from the 1760s. During this period, the building was used as a market, from which commodities of all kinds, including human beings, were sold.

         michael_jackson_vegasThe Estate of Michael Jackson and Cirque du Soleil are proud to present the Las Vegas Premiere of Michael Jackson THE IMMORTAL World Tour™ at the Mandalay Bay Events Center. Sponsored in part by Sun Life Financial, the performance recently kicked off the limited Las Vegas engagement which will run through December 27, 2011. The show was written and directed by Jamie King, the leading concert director in pop music today.

Members of the Jackson Family, including Michael's mother, Katherine, his three children and brothers, Jackie and Tito, along with celebrities Carlos Santana, James Gandolfini, Babyface, Berry Gordy, Mark Salling, Kevin McHale & Harry Shum Jr. from "Glee"; Allison Janney, Justin Long, Aaron Paul from "Breaking Bad"; Channing Tatum & Jenna Dewan, Alex Meraz & Edi Gathegi from "Twilight" and Orlando Jones were on hand to experience this once-in-a-lifetime electrifying production that combines Michael Jackson music and choreography with Cirque du Soleil creativity to give fans worldwide a unique view into the spirit, passion and heart of the artistic genius who forever transformed global pop culture.

To coincide with the Las Vegas Premiere, the first-ever Estate-authorized Michael Jackson Fan Fest™ will be presented through December 14 only at Mandalay Bay Resort & Casino. This special exhibition showcases never-before-seen memorabilia and interactive fan experiences and will only be presented in Las Vegas and will not travel to any other tour stop.

A riveting fusion of visuals, dance, music and fantasy that immerses audiences in Michael's creative world and literally turns his signature moves upside down, Michael Jackson THE IMMORTAL World Tour unfolds Michael Jackson's artistry before the eyes of the audience. Aimed at lifelong fans as well as those experiencing Michael's creative genius for the first time, the show captures the essence, soul and inspiration of the King of Pop, celebrating a legacy that continues to transcend generations.

THE IMMORTAL World Tour takes place in a fantastical realm where we discover Michael's inspirational Giving Tree—the wellspring of his creativity. The secrets of Michael's inner world are unlocked—his love of music and dance, fairy tale and magic, and the fragile beauty of nature.

The underpinnings of THE IMMORTAL World Tour are Michael Jackson's powerful, inspirational music and lyrics—the driving force behind the show—brought to life with extraordinary power and breathless intensity. Through unforgettable performances Michael Jackson THE IMMORTAL World Tour underscores Michael's global messages of love, peace and unity.

Source: E Turbo News

Studies were undertaken recently to demonstrate the benefits of hosting The Curaçao North Sea Jazz Festival. According to Tico Croes and the Dick Pope Sr. Institute for Tourism Studies at the University of Central Florida, the 2011 festival brought the island economic benefits of around 16 million dollars. This is the second time that the economic impact and the value of the Curaçao North Sea Jazz Festival has been evaluated by Croes.

The island invests quite a lot of money in order to produce the event, bringing artists like Sting, Dionne Warwick, Stevie Wonder, Chucho Valdés, Ruben Blades, and Juan Luis Guerra. Various institutions, such as the Fundashon Bon Intenshon, the foundation run by the Curaçao businessman Gregory Elias, invested close to $4.9 million this year. However, 4930 tourists came to Curaçao especially for the festival; this is twice as much as last year, when 2,300 tourists arrived. On the average, tourists stayed for a period of 7.3 days on the island and spent approximately $1716, more than twice as much as last year.

Most of the visitors to the festival reported that they considered it an event of high quality, that the festival contributed their knowledge of the island, and that the event increased their awareness of the culture of Curaçao. The next edition of the Curaçao North Sea Jazz festival has been slated for August 31 through September 1, 2012.

Source: Radio Netherlands Worldwide

Photo: Juan Luis Guerra (Dominican Republic) and Rubén Blades (Panama).

1619_projectPresident Obama recently signed legislation to make Fort Monroe a National Park. This was indeed a very important and historic action concerning the legacy of enslavement in America. 

Old Port Comfort, Fort Monroe, is the location of the arrival of our first African ancestors in America, with the arrival of 20 Angolans in the slave ship the White Lion, on August 20, 1619!

Fort Monroe is  the location of the Third Annual National Day of Reconciliation and Healing from the Legacy of Enslavement, to take place on August 17-20, 2012, in Richmond and Hampton, VA.

This effort was made possible by the hard work and sacrificial grassroots advocacy and leadership of  Sheri Bailey, Virginia Juneteenth State Director and Calvin Pearson, the Founder of Project 1619 where he has been the heart and soul of efforts to place a monument honoring our ancestors, the 1st Africans in America, at the site of their arrival, in Fort Monroe.

Pearson along with Bailey are the grassroots advocates on what has become "ground zero" for the historic geographic area in America where it all began, Fort Monroe National Park. They are leading efforts to raise $1.5 million dollars to build a "1st African Monument" at the site of the arrival of our ancestors in Virginia.

The Rev. Dr. Ronald Myers, founder and chairman of the National Juneteenth Foundation was the historic first African American leader to address the Department of Interior (DOI) on the ocassion of Juneteenth during the 2011 Washington Juneteenth National Holiday Observance. Dr. Myers said that Secretary Ken Salazar did not participte in the program, and has also not responded to his letter concerning the importance of Fort Monroe and the preservation of the legacy of our 1st African ancestors.

 

Dr. Myers says taht the process for selecting the DOI Project Director for Fort Monroe National Park by Secretary Salazar did not allow any qualified African American from the DOI to be considered for the position. "So far, the way the DOI is handling the situation is unacceptable! We should not tolerate such blatant disrespect for our grassroots advocacy, which played a significant historic role for the establishment of Fort Monroe as a National Park," he says. 

 

"Unless we aggressively demand our collective grassroots advocacy voices be heard by the DOI Secretary Salazar and President Obama, the true story about our ancestors, the first Africans who arrived in America and the beginning of legacy of enslavement in America, will most likely not be correctly interpreted, documented and presented to the public. Just take a look at the lie that has been perpetrated about our ancestors first arriving in Jamestown. Despite our demands, public markers displaying this misrepresentation of our history have not been removed."

 Dr. Myers goes on to say that we must demand that any grants, jobs and other financial resources be awarded to African American educational, cultural and historic organizations, museums and other public and private institutions, especially for those the grassroots organizations that made the Fort Monroe National Park a reality. "Just like our efforts to make Juneteenth Independence Day a National Holiday Observance like Flag Day or Patriot Day, our "Modern Juneteenth Movement" must continue our advocacy efforts in what has become "ground zero" for the historic preservation of the legacy of enslavement in America, the Fort Monroe National Park," he says.  

Dr. Myers is asking the national community to support their efforts rearding the First Africans project. You may contact him at This e-mail address is being protected from spambots. You need JavaScript enabled to view it  or Pearson at  This e-mail address is being protected from spambots. You need JavaScript enabled to view it .  For more information, visit www.project1619.org and www.NationalJuneteenth.com.

 

 

 

 

News

Edit

Amount of short articles:

Amount of articles links:

You can order sections with dragging on list bellow:

  • News
Save
Cancel
Reset